Summer 7: instantly

Dearest Zann,

I lay on the cart, other prisoners around me, looking up at a couple of guards with homemade spears. I had my arms raised to show them I wouldn’t try anything. The cart was already rattling down the street, a couple of men running alongside it rounding up troublemakers. One of the guards glared at me.

“So who are you fellows?” I asked him. “You don’t have uniforms, so–“

He swore and stabbed at me with his spear.

I fell back, to the side, and tried to deflect the spear with my arms. “Sorry, sorry. Not talking.”

He looked me up and down, and spat on me.

When I fell, I ended up mostly in another fellow’s lap. He was older and dressed more finely than I was. The fellow murmured, “These are the Half Sun Square Guards. New group. Rule this neighbourhood.”

“Mm,” I murmured back. “Trying to keep law and order in the midst of chaos?”

“No. Just a gang. But they have power now, around here. If you have money on you, try to hide it.”

I did have some coins, but didn’t see how I’d be able to do anything secret with it under the eyes of the guard. “Thanks, I’ll try,” I said.

In any case I didn’t have a chance, as we stopped in front of an inn and the guards badgered all of us off the cart with their spears. Several of us tried to struggle or complain, and were killed instantly.

The rest of us were driven down inside and searched. About ten of us, blinking in the darkness after staring up at the sun while lying on the cart. They didn’t do a very good job of searching, but that didn’t help because I hadn’t done any kind of a job of hiding anything. They took everything I had on me except they didn’t seem to notice the coin around my neck. They also wrote down our names and who we thought might pay “bail” for us. They called it bail but they seemed to mean ransom. I thought about lying but decided the truth might actually help me out here. I told them Candur would bail me out.

The inn was empty of custom. These Half Sun Square types seemed to have taken it over as a headquarters. We were in the common room with some broken furniture and bloodstains. One Half Sun Squarer sat on the bar, picking his teeth and staring at us, ignoring the sheaf of papers in his hand. His name was Ladal and he knew me. He was probably the leader of the gang.

Once the gangers had what they wanted from us, they shoved and kicked us down to the cellar and locked us in one of the kegrooms. Obviously there weren’t any kegs in here anymore. There were people, though; before the closing door left us in the dark I could see that there were a couple of dozen people already inside. It was crowded and smelly.

“Do they feed us?” one of us newcomers asked.

“Maybe once a swing,” someone else said. “What you do is you buy food and water from a couple of the guards who sneak around here trying to pick up a bit of extra coin.”

“But they took all my money!”

“Ay. You hide it on yourself, is what you do, if you’re going to get arrested by this lot.” Someone was crying.

I decided right then that I wasn’t going to put up with this. I didn’t know how or when, but I was tired of taking punishment every time I met someone more cruel than I was, and I was going to get out of here.

I found an empty corner and sat down to think.

Love,

Ybel

On “Harry Potter” and Wizard’s Hall

So recently I read someplace about a book called Wizard’s Hall, by Jane Yolen. Yolen seems to think her book was an unacknowledged influence on J.K. Rowling’s “Harry Potter” series, of which you may have heard. I figured, well, I like Jane Yolen* and I like Harry Potter, so I should totally check this book out.

And I’m glad I did. It’s not a big read; it’s pitched young and fairly slim. Didn’t remind me of Harry Potter at all. There are some superficial similarities, it’s true: wizard school, and a few smaller details. Mostly Wizard’s Hall reminds me of, oh, The Last Unicorn and The Riddle-Master of Hed, and other fantasies of that vintage. A Wizard of Earthsea. Same kind of atmosphere.

Basically here’s what I think is happening. I think that the main premise of what Rowling was doing with Harry Potter has not been widely enough recognized. I mean, it’s no secret or anything, nor do I lay claim to any kind of special understanding. But in North America, we just aren’t as familiar with one of Rowling’s major ingredients, and in some cases may not even know that it is an ingredient. See, the “Harry Potter” series isn’t just a fantasy series. It certainly is a fantasy series, but that’s not the only thing it is. It is two things, in roughly equal parts:

1. A fantasy epic
2. A British school story

If you’ve read “Harry Potter”, but aren’t otherwise familiar with the school-story genre, it may sound like I’ve just said something stupidly trivial. Like if I said that The Lord of the Rings was both a fantasy epic and a Middle-Earth Ring story. But that’s not it. The British school story is an actual thing, a genre on its own. Wikipedia can tell you all about it that you have to know, but my point here is that it is an established genre that Rowling and her British readers would be largely familiar with, and that it has a lot of conventions.** Rowling’s particular stroke of genius was to realize that if you take a convention-heavy genre like the school story, and marry it to an imaginative, content-rich, convention-poor genre like fantasy, you could come up with something really exciting. Which she did.

So a lot of the stuff Rowling was doing in “Harry Potter”, she wasn’t just freestyling. The Quidditch, the chocolate frogs, the Hogwarts setting… she wasn’t inventing all that out of whole cloth, on the one hand, but she wasn’t ripping anybody off on the other. She was working within her genre and adapting its conventions to fantasy. And what she came up with wasn’t like anything else in fantasy and was at the same time unprecedentedly popular. And you couldn’t explain the popularity by the strength of the writing, which certainly got the job done but was sometimes clunky.*** So how to explain it?

Well, it’s hard to explain, if you’re trying to figure out how Rowling filled up this rich and vivid world, and you don’t know that she had this preexisting school-story paradigm to keep her on track. If you’re being very generous, or you’re well-disposed to Rowling, you might just say that she has a tremendous imagination.**** Or you may very well be tempted to say that she got this from this writer and that from that writer. But it’s really much simpler than that.

Conclusion: Yolen doesn’t have a beef: you can’t start at Wizard’s Hall and get to “Harry Potter” without going through school-story-ville, and if you’re going through school-story-ville, you don’t need to start at Wizard’s Hall.

(Note: I have no idea whether Yolen is familiar with British school stories or not. She’s a writer, so my basic expectation would be that she’s read widely, and has run into Wodehouse’s Mike and Psmith or Blyton’s “Malory Towers” series or something. On the other hand: all my reasoning above. So I make no claims to have any idea what’s in Yolen’s mind with regard to all this.)

* try Yolen’s Briar Rose in particular, it’s very good
** not that kind of convention
*** certainly there are fantasy writers out there who are much better prose stylists, and much less popular, than Rowling. Yolen arguably among them
**** not that she doesn’t. A genre will only take you so far. She had to come up with all the details; the genre only gave her guidance for what kinds of details to come up with

Greatest Crazy Wizards of Fantasy Fiction

Not sure whether to include T.H. White’s Merlin. He’s not exactly crazy, after all.

5. Fizban the Fabulous (Margaret Weis and Tracy Hickman) (except he was kind of faking)
4. Master Elodin (Patrick Rothfuss)
3. Arisilde Damal (Martha Wells)
2. Adept Havelock (Stephen R. Donaldson)
1. Antryg Windrose (Barbara Hambly)

Anybody else I should have on here?

Edited to add: I forgot Vic! Put in another entry on this list:

6. Vincianus Polymage (Greg Costikyan)

…from the unfinished “Cups & Sorcery” trilogy.