Summer 26: sared

Dearest Zann,

Ellewen and I stood at the bottom of an ugly hill in a strange, pink-skied realm. Dark green clouds scuttled to block the brown sun, and we stared at a spiky fortress across the plains. Unholy, garlic-like fragrances rose from the ground about us. Ellewen stood patiently, and if he had been a human instead of an unearthly laur–I mean, instead of a greenfolk–he would have been looking at me expectantly.

I figured that I wasn’t going to get any idea of what to do from him, so I had to take the lead myself. I thought about investigating the fortress in the distance, and then I thought it would be even better to not investigate the fortress, so I started off in the opposite direction, around the hill. Ellewen followed.

“Do we have a way of going home?” I asked him, as we stepped around the rocks. “When we want to?”

“Oh yes,” he answered. “It would actually be much more difficult to remain for too long. We aren’t wanted here.”

We had a choice of paths between different withered, rocky hills. The pass to the left looked a little easier, so I took that one. Ellewen’s shadow fell beside me. It was an ugly purple colour. It looked like there had been a structure here. The rocks were tumbled blocks and walls and timbers. One of the timbers had fallen to create a narrow bridge through the area. I could see sparkles from debris in the rubble, and… a familiar smell?

A sound from up ahead: boots on the rocks. Ellewen sighed.

“Who’s there?” I called.

The most beautiful man in the world bounded up onto a scarred boulder. He had long copper hair flowing down past immaculate cheekbones to equally emphatic shoulders. His skin was the green of a stagnant pond and his eyes the grey of burned corpses. It felt like I had never wanted anyone more. “Still here, flower-grower?” he said, ignoring me and addressing Ellewen. He was carrying some kind of… I don’t know what it was. It was made of metal and wood, and he pointed it at Ellewen like a weapon.

“As you see,” he answered.

“Can you help us?” I asked the stranger. “We don’t really know why we’re here, and–” and he knocked me down.

I don’t know how he did it; he wasn’t anywhere near us. He just acted, and the air struck a sharp impact all along my left side, and I fell backward. I lay there in both pain and pleasure, trying feebly to get up.

Something was under my hand, something strange-shaped. I put it in my pocket.

“It’s nothing for me to kill you and your pet,” he said to Ellewen, “but if you go now I may not bother to try.”

“I think we’re just going,” Ellewen said. “If we–” and he looked at me. “Oh.”

“Whaf?” I said. “Elleven?”

“Ybel,” he said, kneeling beside me, concerned. The lovely man grunted in impatience and made his weapon make a noise.

I tried to push up with my hands, but it didn’t work; my hands didn’t seem to be able to make any force against the ground. I looked down. Where my lower arms used to be, there was only ash. It didn’t hurt. Some more of my right arm crumbled as I watched it. “Heff me,” I said, and ashes puffed out of my mouth. “I’m sared!” I said, and laughed. I don’t know why I laughed.

“It will something something,” Ellewen said. All the sounds went quiet. The sights were turning grey. The last I saw was a flash from the man’s weapon as the ash completed my body.

All my love,

Ybel

My Top Twenty Books of 2025

Well. Around twenty, anyway.

The book I’m currently reading is Iron Flame (Rebecca Yarrow), second book in the Empyrean series. I’m on page 40 and the book enjoys a bountiful 637 pages, so I conclude that I’m not finishing it today without heroic effort, effort which I am disinclined to provide just to increase this year’s book count by one. So I can put this year’s book list to bed.

I read 69* new-to-me books in 2025. That’s low for me. I’m usually up over a hundred. It seems eventually mental health struggles will affect one’s reading habits. Anyway, the number isn’t the point. Maybe in 2026 I’ll be reading books like a fiend, but they’re mostly rereads or really long books that I’ve been meaning to get to. Kristin Lavransdatter and Infinite Jest. And my final count will be like twenty. That would be fine.

Here are the best books I read in 2025, loosely ranked from less best to best, with commentary where available.

Hemlock and Silver (T. Kingfisher) Kingfisher is a fantasy machine these days, keeping ’em coming good and fast. This one’s up to her usual standards but I wasn’t really feeling the poison-and-mirror themes.

The Benevolent Society of Ill-Mannered Ladies (Alison Goodman) I had to look this one up to remember which one it was. It’s one of these books you get a lot of these days, with a plucky heroine turning this or that benighted historical period into something we’d like better (complimentary). This one’s set in the Regency era, and is particularly energetic.

All the Birds in the Sky (Charlie Jane Anders) I suspect Charlie Jane Anders may be good at this, and I will have to investigate her bibliography more deeply.

The Tainted Cup; A Drop of Corruption (Robert Jackson Bennett) I’m a sucker for a Nero Wolfe pastiche, which this turns out not exactly to be, but it’ll do until one comes along. I’m not in love with this world, with its militaristic society, sea monsters, and biotech magic, but they’re well-written fantasy mysteries, so I will overlook much.

Wild Cards: House Rules (George R.R. Martin, ed.) The Wild Cards series has gone pretty far from its roots to get to this one, involving strange goings on in a mysterious house off the English coast, but I’m committed to Wild Cards for life, and I’ve never regretted it.

The House in the Cerulean Sea (T.J. Klune) I was hoping for something more, I don’t know, fanciful, fairy-taleish, than this found-family romance, but that’s not the book’s fault; the book’s perfectly good.

To Love and Be Wise (Josephine Tey) I may have more to say about this one in a separate article, but it’s a well-crafted Golden Age murder-mystery, only without a murder. That’s not often done.

The Averoigne Chronicles (Clark Ashton Smith) I had long been curious about Smith’s fantasy stories set in pseudo-medieval France, and I finally got the chance to snap them all up in one volume. Summary: weird! In a good way.

Advocate (Daniel M. Ford) Book Three of Ford’s Warden series, which I’ve been enjoying. I hope there are more, because the story of Aelis is clearly not over.

The Ten Thousand Doors of January (Alix E. Harrow) You’ve got to love that title. Promises a lot. And the book mostly delivers, even if it is kind of a conventional exercise for contemporary fantasy.

Written on the Dark (Guy Gavriel Kay) I’ve described Kay as the greatest living fantasy writer in English, and this book, an adventure in medieval France (it was a medieval-France kind of year for me) strengthens his case yet again.

James (Percival Everett) I read this at around the same time I read Big Jim and the White Boy (David F. Walker and Marcus Kwame Anderson). They’re both retellings of The Adventures of Huckleberry Finn from the point of view of Jim. And both quite good; the only reason the Walker and Anderson doesn’t appear on this list is because it’s a comic book, and this list is for prose. (Nothing against comic books. I love comic books. They’re great.) It’s a tribute to TAoHF that people consider it worth reinterpreting in this way and creating books this good in reaction to it.

Fourth Wing (Rebecca Yarros) YA fantasy about a girl who becomes a dragonrider. Like with everything that’s been done a thousand times, all you have to do to stand out from the crowd is to do it well.

Woodworking (Emily St. James) Much-praised novel about a trans woman trying to figure things out and getting reluctant help from the trans girl who’s one of her students. It’s a really good read.

Space Oddity (Cat Valente) Sequel to the previous Space Opera, which was also great. Tons of fun in a Douglas Adams kind of way.

The Outskirter’s Secret; The Lost Steersman; The Language of Power (Rosemary Kirstein) I don’t know how I got this far in life without knowing about this series. I have taken to describing it as, “It’s pretending to be fantasy for people who like science fiction, but really it’s science fiction for people who like fantasy.” I hope Kirstein manages to finish the last two books before too long.

A Gentleman and a Thief (Dean Jobb) The only nonfiction book on this list. It’s the biography of Arthur Barry, the great Jazz Age jewel thief, and it’s wonderful.

The Bright Sword (Lev Grossman) Grossman has added a new entry to the Arthurian canon with this one. I read it in February and suspected at the time that it was going to be the best thing I read all year, and so it was. If you’re into King Arthur at all, this is one you have to read.

There!

Can’t wait to see what 2026 brings.

*Acknowledge.

Summer 7: instantly

Dearest Zann,

I lay on the cart, other prisoners around me, looking up at a couple of guards with homemade spears. I had my arms raised to show them I wouldn’t try anything. The cart was already rattling down the street, a couple of men running alongside it rounding up troublemakers. One of the guards glared at me.

“So who are you fellows?” I asked him. “You don’t have uniforms, so–“

He swore and stabbed at me with his spear.

I fell back, to the side, and tried to deflect the spear with my arms. “Sorry, sorry. Not talking.”

He looked me up and down, and spat on me.

When I fell, I ended up mostly in another fellow’s lap. He was older and dressed more finely than I was. The fellow murmured, “These are the Half Sun Square Guards. New group. Rule this neighbourhood.”

“Mm,” I murmured back. “Trying to keep law and order in the midst of chaos?”

“No. Just a gang. But they have power now, around here. If you have money on you, try to hide it.”

I did have some coins, but didn’t see how I’d be able to do anything secret with it under the eyes of the guard. “Thanks, I’ll try,” I said.

In any case I didn’t have a chance, as we stopped in front of an inn and the guards badgered all of us off the cart with their spears. Several of us tried to struggle or complain, and were killed instantly.

The rest of us were driven down inside and searched. About ten of us, blinking in the darkness after staring up at the sun while lying on the cart. They didn’t do a very good job of searching, but that didn’t help because I hadn’t done any kind of a job of hiding anything. They took everything I had on me except they didn’t seem to notice the coin around my neck. They also wrote down our names and who we thought might pay “bail” for us. They called it bail but they seemed to mean ransom. I thought about lying but decided the truth might actually help me out here. I told them Candur would bail me out.

The inn was empty of custom. These Half Sun Square types seemed to have taken it over as a headquarters. We were in the common room with some broken furniture and bloodstains. One Half Sun Squarer sat on the bar, picking his teeth and staring at us, ignoring the sheaf of papers in his hand. His name was Ladal and he knew me. He was probably the leader of the gang.

Once the gangers had what they wanted from us, they shoved and kicked us down to the cellar and locked us in one of the kegrooms. Obviously there weren’t any kegs in here anymore. There were people, though; before the closing door left us in the dark I could see that there were a couple of dozen people already inside. It was crowded and smelly.

“Do they feed us?” one of us newcomers asked.

“Maybe once a swing,” someone else said. “What you do is you buy food and water from a couple of the guards who sneak around here trying to pick up a bit of extra coin.”

“But they took all my money!”

“Ay. You hide it on yourself, is what you do, if you’re going to get arrested by this lot.” Someone was crying.

I decided right then that I wasn’t going to put up with this. I didn’t know how or when, but I was tired of taking punishment every time I met someone more cruel than I was, and I was going to get out of here.

I found an empty corner and sat down to think.

Love,

Ybel

On “Harry Potter” and Wizard’s Hall

So recently I read someplace about a book called Wizard’s Hall, by Jane Yolen. Yolen seems to think her book was an unacknowledged influence on J.K. Rowling’s “Harry Potter” series, of which you may have heard. I figured, well, I like Jane Yolen* and I like Harry Potter, so I should totally check this book out.

And I’m glad I did. It’s not a big read; it’s pitched young and fairly slim. Didn’t remind me of Harry Potter at all. There are some superficial similarities, it’s true: wizard school, and a few smaller details. Mostly Wizard’s Hall reminds me of, oh, The Last Unicorn and The Riddle-Master of Hed, and other fantasies of that vintage. A Wizard of Earthsea. Same kind of atmosphere.

Basically here’s what I think is happening. I think that the main premise of what Rowling was doing with Harry Potter has not been widely enough recognized. I mean, it’s no secret or anything, nor do I lay claim to any kind of special understanding. But in North America, we just aren’t as familiar with one of Rowling’s major ingredients, and in some cases may not even know that it is an ingredient. See, the “Harry Potter” series isn’t just a fantasy series. It certainly is a fantasy series, but that’s not the only thing it is. It is two things, in roughly equal parts:

1. A fantasy epic
2. A British school story

If you’ve read “Harry Potter”, but aren’t otherwise familiar with the school-story genre, it may sound like I’ve just said something stupidly trivial. Like if I said that The Lord of the Rings was both a fantasy epic and a Middle-Earth Ring story. But that’s not it. The British school story is an actual thing, a genre on its own. Wikipedia can tell you all about it that you have to know, but my point here is that it is an established genre that Rowling and her British readers would be largely familiar with, and that it has a lot of conventions.** Rowling’s particular stroke of genius was to realize that if you take a convention-heavy genre like the school story, and marry it to an imaginative, content-rich, convention-poor genre like fantasy, you could come up with something really exciting. Which she did.

So a lot of the stuff Rowling was doing in “Harry Potter”, she wasn’t just freestyling. The Quidditch, the chocolate frogs, the Hogwarts setting… she wasn’t inventing all that out of whole cloth, on the one hand, but she wasn’t ripping anybody off on the other. She was working within her genre and adapting its conventions to fantasy. And what she came up with wasn’t like anything else in fantasy and was at the same time unprecedentedly popular. And you couldn’t explain the popularity by the strength of the writing, which certainly got the job done but was sometimes clunky.*** So how to explain it?

Well, it’s hard to explain, if you’re trying to figure out how Rowling filled up this rich and vivid world, and you don’t know that she had this preexisting school-story paradigm to keep her on track. If you’re being very generous, or you’re well-disposed to Rowling, you might just say that she has a tremendous imagination.**** Or you may very well be tempted to say that she got this from this writer and that from that writer. But it’s really much simpler than that.

Conclusion: Yolen doesn’t have a beef: you can’t start at Wizard’s Hall and get to “Harry Potter” without going through school-story-ville, and if you’re going through school-story-ville, you don’t need to start at Wizard’s Hall.

(Note: I have no idea whether Yolen is familiar with British school stories or not. She’s a writer, so my basic expectation would be that she’s read widely, and has run into Wodehouse’s Mike and Psmith or Blyton’s “Malory Towers” series or something. On the other hand: all my reasoning above. So I make no claims to have any idea what’s in Yolen’s mind with regard to all this.)

* try Yolen’s Briar Rose in particular, it’s very good
** not that kind of convention
*** certainly there are fantasy writers out there who are much better prose stylists, and much less popular, than Rowling. Yolen arguably among them
**** not that she doesn’t. A genre will only take you so far. She had to come up with all the details; the genre only gave her guidance for what kinds of details to come up with

Greatest Crazy Wizards of Fantasy Fiction

Not sure whether to include T.H. White’s Merlin. He’s not exactly crazy, after all.

5. Fizban the Fabulous (Margaret Weis and Tracy Hickman) (except he was kind of faking)
4. Master Elodin (Patrick Rothfuss)
3. Arisilde Damal (Martha Wells)
2. Adept Havelock (Stephen R. Donaldson)
1. Antryg Windrose (Barbara Hambly)

Anybody else I should have on here?

Edited to add: I forgot Vic! Put in another entry on this list:

6. Vincianus Polymage (Greg Costikyan)

…from the unfinished “Cups & Sorcery” trilogy.