I have it in mind to start writing about music more, because I like it, even if I don’t know much about it from a technical point of view, and why wouldn’t I start here.
“Echo Beach” – Martha and the Muffins (1980) written by Mark Gane; #5 on the Canadian charts, #37 on the U.S. Disco charts. Juno Award for Single of the Year.
“Echo Beach” sounds simple. There’s a futuristic synth riff, and there’s a woman singing about how she wants to be at Echo Beach, and it’s all very catchy, and it adds up to a hit song. A very modern hit song (for 1980, that is).
But you know, there is a saxophone solo in the song too. And the sax, while it was a very ’80s instrument, wasn’t really a supermodern touch in the way that the synth line was. But that’s okay, because of what the song’s about.
According to the lyrics, the song is about a woman who has a boring, unfulfilling life, and the only good part of it is when she gets to go to Echo Beach. Not for partying and surfing and sunshine, but for solitary evening contemplation. It’s peaceful and beautiful, apparently.
What we have to remember is when the song came out. 1980. And one of the things that was in the air in 1980, and for a long time before and after 1980, was The Sixties. Do you think you hear about the nineteen-sixties too much now? Nothing like it was back then. “Looks like the sixties are finally over!” “When do you think the sixties ended?” “What did you do in the sixties?” “Things were better in the sixties.” The Beatles this and Vietnam that and Kennedy the other thing.
And the Boom was the only generation. (Not literally. There were people older than Boomers, and people younger than Boomers, but nobody talked about any of them as being part of a generation.) The Boom perspective was the only real one. Their storyline was, we came of age in the sixties and that was great but also terrible, then the seventies came and we all had to sell out and get jobs and now there’s disco and we miss the sixties.
Which brings us back to “Echo Beach”. It’s one of many songs* about how the sixties are over and the singer misses them. That job she finds so boring is the one she got after the Beatles broke up. Notice how the lyric specifies, not that she’ll be at Echo Beach, but that she’ll be back at Echo Beach? The place that is far away in time? The value of the place, beautiful as it may be, is in nostalgia. It’s where she can go to remember the past. Almost like it’s where she can hear the echo of the past.
And that’s why the saxophone is appropriate in the song. The singer is looking back to the sixties and the synthesizer is looking back to the sax. It reflects the sound of 1980, when the seedy and sleazy ’70s music was slowly evolving into the sleeker and cleaner ’80s music. “Echo Beach” was leading the march of time in both directions.
It’s a good tune. Check it out if you don’t know it.
*Some other sixties-lament songs of the era were “Hey Nineteen” (Steely Dan), “The Sad Cafe” (Eagles), “Video Killed the Radio Star” (Buggles), “The Boys of Summer” (Don Henley)…